PDF Ebook Grammar of the Film Language, by Daniel Arijon
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Grammar of the Film Language, by Daniel Arijon
PDF Ebook Grammar of the Film Language, by Daniel Arijon
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Visual narrative formulas for anyone involved in the film and tape industry.
- Sales Rank: #501911 in Books
- Brand: Brand: Silman-James Pr
- Model: 1084758
- Published on: 1991-09
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x 1.25" l, 1.67 pounds
- Binding: Paperback
- 624 pages
- Used Book in Good Condition
Most helpful customer reviews
17 of 18 people found the following review helpful.
Sexist? Probably. Invaluable? Oh yeah.
By K. Triplett
I have to say that the illustrations are odd. A significant number have scantily-clad women and naked women but there are also illustrations of naked men. It's kinda bizarre but if you look on the illustrations as artist sketchings of the nude form and focus on the information being presented, it's an invaluable guide to camera motivation and how to tell a story in a way that engages the audience.
It's difficult to get this information from any source. Schools typically don't teach this stuff and I've never seen it presented to the depth available in this book. It's literally a linguistic guide to cinema, treating motion pictures as a language that the audience has learned from past movies, a language that's apparently innate within our brains. Aspiring filmmakers would be wise to absorb the principles in this book before spending a lot of time and money making movies.
The principles in this book explain how camera shots and editing help tell your story. How to compose your shot to show a character's reaction to another character's action. How to reveal story points to the audience at the right time. How to convey time, space and relationships between characters and objects. Great stuff!
9 of 10 people found the following review helpful.
The best book on film making
By Sid Vaga
After 17 years in the entertainment business, I have, or have read just about every book on film making there is and this is by far the most comprehensive when it comes to explaining what a composed image means. It also explains how to shoot and compile sequences to create specific rhythms, moods and elicit desired emotions from your audience. This is hands-down the best book for Directors, Editors, and Cinematographers available.
24 of 25 people found the following review helpful.
The best technical and creative book on blocking and shots
By Hal Trussell
Unequivocally the best reference for shots and blocking. Strickly for the professional director and cinematographer; this is a highly technical book. I refer to this book during my prep for each film, and no matter how many times I have read it, I am always reminded of something dynamic and valuable. Each page has storyboard drawings that show camera position, screen direction, and sequence of cuts. Also shown are dolly moves and character movement. These diagrams are accompanied by clear and detailed commentary. Do not be misled by the selected sample pages above. Fully 35% of the book is diagrams; the text explains the diagrams. The book is organized with the most basic coverage at the beginning, and each chapter thereafter presents increasing complexity of blocking. The shots presented are all from actual films, a factor that gives the material and the book an aliveness and vitality. Some of these films are complete unknowns, others are classics. Yet the source is inconsequential; what is amazing is that Mr. Arijon has essentially put into this book every possible combination of camera placement and character arrangement that has ever been done in cinema. Every director I have shown this book to has immediately gone out and gotten their own copy for reference. Anyone planning to direct or shoot a film will find this book an invaluable contribution to their ideas and creativity. Again due to its highly technical content, this is for professionals or serious students. The bible of blocking for cinema.
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